Here are some of the best promo designs and viral vid for past Quorum events.
Friday, July 1, 2011
Wednesday, June 29, 2011
MODULAR LIVING
one+ is a housing concept by the swedish company add-a-room that allows users to build their home through prefabricated
modules. the system was designed by danish architect lars frank nielsen and uses 15m square rooms as building blocks for
dwellings. the units are built off site and assembled on location to streamline the process and keep costs down. users can
use one module or combine multiple ones to create their own design. the system uses local swedish materials and energy
efficient windows and doors. basic units start at around 35,000 USD.
http://www.addaroom.se
Tuesday, June 28, 2011
Eva Green surrendering her soul.
"It’s not a job. It’s almost like a faith or a religion. every time, I give a bit of my soul.—Eva Green"
Eva Green, she of the smoky eyes, dark French beauty, and seemingly impenetrable temperament, has always existed more than a continent away from the Katherine Heigls of Hollywood. The 30-year-old actress first emerged in 2003 with her revealing debut in Bernardo Bertolucci’s lush, sexually charged coming-of-age film The Dreamers. Then her sexy and cerebral performance as Bond girl Vesper Lynd in 2006’s Casino Royale was arguably as integral to the success of the 007 franchise’s relaunch as DanielCraig himself. Her big-screen ascendance has also yielded a second, very lucrative sideline as a face of luxury (she has beenfeatured in campaigns for Emporio Armani, Lancôme, Dior, and Montblanc, among others).
But Green, who splits her time between London and Paris, has always seemed to want more (or, in some ways, less) out of her film career than a succession of blockbuster sex romps and feel-good comedies might provide. In fact, she has tended toward smaller films awash in big and, at times, difficult modernist themes: Having recently appeared in the boarding school thriller Cracks, the directorial debut of Jordan Scott—daughter of Ridley Scott, Green’s director in 2005’s Kingdom of Heaven—Green’s upcoming projects include Perfect Sense with Ewan McGregor, a haunting love story set against the backdrop of a world in the throes of a global epidemic, and Womb, an even more eerie one about a grieving woman who chooses to birth a clone of her deceased lover. (Perhaps Green’s predilection for the dark and idiosyncratic is inherited: Her mother, actress Marlène Jobert, worked with Jean-Luc Godard and Louis Malle.)
Read more at INTERVIEW MAGAZINE
By Mark Jacobs
Photography Paolo Roversi
Eva Green, she of the smoky eyes, dark French beauty, and seemingly impenetrable temperament, has always existed more than a continent away from the Katherine Heigls of Hollywood. The 30-year-old actress first emerged in 2003 with her revealing debut in Bernardo Bertolucci’s lush, sexually charged coming-of-age film The Dreamers. Then her sexy and cerebral performance as Bond girl Vesper Lynd in 2006’s Casino Royale was arguably as integral to the success of the 007 franchise’s relaunch as DanielCraig himself. Her big-screen ascendance has also yielded a second, very lucrative sideline as a face of luxury (she has beenfeatured in campaigns for Emporio Armani, Lancôme, Dior, and Montblanc, among others).
But Green, who splits her time between London and Paris, has always seemed to want more (or, in some ways, less) out of her film career than a succession of blockbuster sex romps and feel-good comedies might provide. In fact, she has tended toward smaller films awash in big and, at times, difficult modernist themes: Having recently appeared in the boarding school thriller Cracks, the directorial debut of Jordan Scott—daughter of Ridley Scott, Green’s director in 2005’s Kingdom of Heaven—Green’s upcoming projects include Perfect Sense with Ewan McGregor, a haunting love story set against the backdrop of a world in the throes of a global epidemic, and Womb, an even more eerie one about a grieving woman who chooses to birth a clone of her deceased lover. (Perhaps Green’s predilection for the dark and idiosyncratic is inherited: Her mother, actress Marlène Jobert, worked with Jean-Luc Godard and Louis Malle.)
Read more at INTERVIEW MAGAZINE
MICHAEL BAY A NAZI VISIONARY?
An Oral History of Michael Bay, the Most Explosive Director of All Time
Actors have called Michael Bay an asshole, a cocksucker, a Nazi—often to his face—and then swiftly signed up for the sequel. As America braces for the third chapter of Transformers—the latest explode-a-thon from the director of Bad Boys, The Rock, and Armageddon—dozens of his collaborators and victims, from Will Smith to Steven Spielberg to Scarlett Johansson, reveal the secret genius behind a true Hollywood visionary. (And yes, we're still talking about Michael Bay)
By Sean Fennessey
July 2011
Read More GQ
PORSCHE DESIGN DESKTOP DRIVE - P'9230
Hard drives are undoubtedly something off the beaten path for us in regards to electronics, but LaCie and Porsche Design link up to provide an aesthetically-pleasing addition to any desktop. Made of brushed aluminum, the minimalist design of the hard drives thanks to Porsche Design’s design ethos comes in portable and desktop formats. The use of USB 3.0 connectivity of the hardware ensures speedy transfers. Sizing for the portable model range from 500GB to 1TB, with a 750GB version exclusive to Porsche Design stores. The desktop version is available in 1TB and 2TB models as well. The majority of the hard drives can be purchased via LaCie.
Source: SlashGear
Monday, June 27, 2011
Adam Kimmel kicking the boundaries.
Adam Kimmel has been catapulted into the realm of fashion fame over the last few years through his creative transference of unlikely inspirations into tailored, exciting and at times slightly outlandish menswear. In this short video piece, filmmaker Benjamin Morsberger captures a series of intimate moments with the designer – recalling private memories about working with iconic photographer Jim Cranston for his “Marlboro Man” collection, New York-based artist George Condo on his “Casino” collection (who could forget those ghoulish masks), and even launching a spontaneous block party in Paris during the photoshoot for his Snoop Dogg-inspired “Hip Hop” collection. The video is only a couple seconds over 6 minutes long, but it does an excellent job of providing real insight about how Adam Kimmel provides the catalyst for seemingly bizarre inspirations to turn into “masculine, classic, beautifully tailored garments.”
Source: Vogue
Friday, June 24, 2011
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